Day 1 (Part 2)
Acton Town - Aldgate - Aldgate East - All Saints
From Acton Town the District Line goes all the way
to Aldgate East (and beyond). Astute readers will perhaps have noticed that Aldgate
East is of course the fifth station
on my list, not the fourth, which is Aldgate. But as it's only a short stroll
from the one to the other I hope my readers will forgive me if I pretend not to see
it when I get off the train, and only metaphorically open my eyes again when
I arrive at Aldgate.
While I am waiting for the next District Line
train, however, I count no less than four Piccadilly Line trains entering and
leaving the station on the platform just a few feet away. The route to Aldgate
using the Piccadilly Line would necessarily be a more convoluted one, requiring
at least one change, but I can't help feeling it would nevertheless be
substantially quicker. But
then, I remind myself, perhaps that's why I'm doing this - to get me to slow
down, and look around.
My travelling companions on the District Line, when
it eventually arrives, are a mixed bunch. There's a scholarly looking gentleman
in a tweed coat, flat cap and rather incongruous scarlet suede trousers,
reading a history of the English Civil War (him, not the trousers); a
twenty-something male of Eastern-European appearance; and a middle-aged couple.
The wife of the couple is blind, and is assisted to her seat by her husband who
then spends the rest of the journey complaining about his sore throat. This annoys
me for reasons I cannot adequately explain.
Palin or Bryson would by now of course have struck
up a conversation with one (or probably all) of these, and be regaling you
with the amusing anecdotes they entertained him with. I, however, am still to escape
the clutches of the "unwritten rule" of the Underground - namely,
"Thou shalt not say a word, or indeed make eye-contact with any other
person, and shall instead seek out for the forty-eighth time that poster about hair-loss, in the vain hope that there may be a syllable of it you haven't
yet read, so that you can divert your mind from the mind-shattering isolation
of it all".
Either that or you're actually reading Michael Palin or Bill Bryson,
in which case you're deaf and blind to the world about you anyway.
As we enter Victoria station, the driver utters the
immortal words "Please mind the gap between the train and the
platform". "Mind the gap". Ah, now that's the Underground in a
nutshell.... So rapt am I by the familiar words, that I almost miss the next announcement and the news that
this train will in fact be terminating at Tower Hill, one stop before Aldgate East, so that unless I
wait for another train (which given my experience at Acton Town could be a long
wait) I must walk to my destination from Tower Hill.
This does at least mean that the alphabetical order
will be preserved, and like many Underground stations, the two are so close
that it may in fact be as quick (if not quicker - a fact which surprises many
people, including most Londoners) to walk anyway.
It also means that by taking the five minute stroll
from Tower Hill to Aldgate, I happen upon a street called "Crutched
Friars". I have no idea who these friars were, nor why their crutches
merited such celebration. And why "friars" plural? Was it such a
dangerous time for monks? Were their legs in constant peril? Did a freak
accident cripple an entire monastery? And, having been struck down, why
did they (presumably) all hobble along to this particular spot on their
crutches?
Such are my ponderings as I approach Aldgate. The
station itself, which sits in the shadow of number 30, St Mary Axe - or
"The Gherkin", as it is more commonly known - is an uninspiring
place, and I didn't think I’d linger long.
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Aldgate - It has a newsagent's next to it |
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Paleys Upon Pilers - visit it soon before they remember they were going to take it down |
It’s called “Paleys Upon Pilers”, (or Palace Upon
Pillars – thanks, Mr Google, you’re a star) and marks the site of the original
Aldgate – the easternmost gate through the old London Wall. It’s also a memorial
to Aldgate’s most famous former resident, Geoffrey Chaucer (hence the Middle
English spelling).
I believe it was originally supposed to be a
temporary installation, to celebrate the 2012 Olympics, but someone seems
to have forgotten to take it down again.
I’m quite glad – it’s interesting and
quirky and makes a change from the gleaming glass and steel buildings that
dominate this area.
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'Watch This Space' - it's more interesting than anything else around here. |
***
I head along Whitechapel towards Aldgate East, a
matter of a few minutes’ walk, which of course means that the scenery doesn’t
change all that much. I do notice this little side street with an amusing bit of 'street art' at the end. The artist has even gone to the trouble of making sure the perspective works from the top of the side street (notice how the arrow continues onto the ground below the wall?). What, if anything, the arrow is pointing to, I don't know, and for once Mr Google has been singularly unhelpful. By pure chance the woman in the red coat walked past me as I took the photo - but I'm naturally going to take credit for spotting the juxtapositional possibilities! (I'm sorry - I can't believe I just wrote that.)
I reach Aldgate East station a minute later.
Cyril M. Harris, in his book "What's In A Name", tells me that "The station was moved a short distance east in 1938."
Erm, sorry, what?
How do you "move" a station? And why? And what's "a short distance"? Are we talking a foot or two? Just for the hell of it? Was it blocking someone's view? Maybe that's what the Watch This Space artist was trying to tell us - watch this space or someone might move a station into it! In any case, if they hadn't moved the station further east, I would have reached it even quicker, so they've deliberately and unnecessarily prolonged my journey. Gits.
Anyway, finding nothing else of interest, I take a peremptory photo of the station and head down into it to continue my journey.
***
Having caught the District Line to Bow Road, and
then walked 300 yards to Bow Church DLR station (what a neat alphabetical
coupling that would have been, had I been travelling in the opposite direction
– one to remember for the future!) I catch the train to my final destination of
the day – All Saints.
As far as I'm aware, this area has nothing at all to do with the popular beat combo of the same name.
However, the lyrics of their first hit "Never Ever" seem fairly apt right now.
Never ever have I ever felt so low,
When you gonna take me out of this black hole
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All Saints - Never ever gonna come here again. |
Ok, so I admit to being not a little travel weary by this
point, having been nearly 4½ hours on the move, so perhaps I’m not in the most
receptive frame of mind. But with the sky-scraping
dominance of One Canada Square as a backdrop, All Saints rather suffers in comparison.
(In case you were unaware, 'One Canada Square' is the name of the building many people including myself have always called ‘Canary Wharf’. That is in fact the name of the area, not the building)
Another collection of betting shops, kebab houses
and fried chicken emporia is about all I can find on the main street. There is
a church, from which the station takes its name, and I try to muster some
artistic enthusiasm for it in framing my Station Photo, but my heart isn’t
really in it and I don’t hang around for long.
I make my way back into the station and head for
Canary Wharf, where I change to the Jubilee Line. This involves a walk through
the lower floor of One Canada Square, and from the somewhat squalid high street
of All Saints, I’m suddenly immersed in a building positively dripping with opulence.
I feel equally out of place here, and rush through
it as quickly as possible.
The Jubilee Line takes me to Bond Street (catch you
later my ‘B’ friend) and from there I gratefully collapse onto a Central Line train
back to Ealing Broadway and home.
It’s been a long and tiring day out, and a very silly and pointless exercise – yet somehow I feel it’s an important and necessary one too. For me at least, if for no-one else.